The Lady of the Rivers: A Novel (Cousins' War #3) by Philippa Gregory
Simon & Schuster October 18, 2011
Hardcover, 464 pages
Review copy provided by the publisher, thank you!
Burton Book Review Rating:
Jacquetta, daughter of the Count of Luxembourg and kinswoman to half the royalty of Europe, was married to the great Englishman John, Duke of Bedford, uncle to Henry VI. Widowed at the age of nineteen she took the extraordinary risk of marrying a gentleman of her house-hold for love, and then carved out a life for herself as Queen Margaret of Anjou's close friend and a Lancaster supporter - until the day that her daughter Elizabeth Woodville fell in love and married the rival king Edward IV. Of all the little-known but important women of the period, her dramatic story is the most neglected. With her links to Melusina, and to the founder of the house of Luxembourg, together with her reputation for making magic, she is the most haunting of heroines.
Philippa Gregory's third novel in the Cousins' War series focuses on Jacquetta of Luxembourg, who later becomes mother to the Queen of England. Her story is a fascinating one, and it is made quite entertaining Gregory-style. In Gregory's previous novel The White Queen (2009), we are introduced to the legacy of Melusina when Elizabeth Woodville captures the eye of Edward IV and the stigma of witchcraft that the Woodville women are surrounded with. With this installment on Jacquetta, we are immediately brought into this magical element of Jacquetta's upbringing and the legend of Melusina. Those readers who dislike this fantasy theme should not bother reading the book, as it is a large fragment of the story.
The White Queen centered around Elizabeth Woodville, who was Jacquetta's eldest and beautiful daughter. The Lady of the Rivers moves back in time a bit, to Jacquetta and her story of survival, love and loyalty. (Could have been a publisher's decision because two years ago Gregory was going to do the third book on Elizabeth of York: The White Princess). A young Jacquetta is forced to leave France as she is married off to England's Duke of Bedford, who is on a mission to find the mystical answers to all things unknown, along with that pot of gold. Poor Bedford seems like a creepy little man, sadly for him. Meanwhile, Jacquetta finds a friend and protector in Richard Woodville who acted as Bedford's right hand man. Once Bedford dies, Jacquetta throws caution to the wind, and usurps all authority in declaring her love for Richard.
Her story develops around the turmoil of England as they struggle to hold on to the lands in France that the late Henry V worked so hard for, but the young and weak Henry VI is ill advised and caught between the rising factions of the Cousins' War. Jacquetta embraces her new country of England, and serves the Lancastrian King and Queen as she hopes against hope that her new husband Richard Woodville won't be killed in battle. The love that grew between Jacquetta and Richard is lovingly portrayed and one can easily imagine, through Gregory's eyes, how the unlikely pair found a lasting love that brought forth quite a brood of Woodvilles. There were repeated mentions of the blue eyes of Richard, but he was always in the background of the other novels I had read so it was nice to see him form into a handsome blue-eyed person with a knack for quickly making babies. He was quite the star in this novel, with his loyal and gallant characteristics, not to mention sex appeal.
Jacquetta and Richard live out their life in fear of witch hunts as they do the royal bidding. Margaret of Anjou is insufferably unqueenly in this portrayal and her husband Henry is either a pious robot or a recluse. The city of London is a mob of dejected souls and Richard Duke of York is mentioned as the most-wished-for-wanna-be-king.. and other loose characterizations are formed and maintained throughout the story. The phrase 'Edmund Beaufort Duke of Somerset' is drilled into my head as he is mentioned umpteen times and who is not so subtly hinted as being in love with the Queen. History is a bit of a glazed backdrop as Gregory focuses the crux of the novel on Jacquetta and her experiences as Gregory imagines them as Jacquetta stands by the Queen's side while her Richard goes off to fight for them. Historical buffs for the Wars of the Roses may be a bit bored and put off by the lack of dramatic emphasis in areas where we would expect them as the mystical elements play the stronger part in this telling.
Of course, as with all Philippa Gregory novels, there seems to be a major uproar when the fiction outweighs the history, and this is no different. I could not get a handle on what exact title Richard Woodville had (squire/knight/chamberlain/baron/commander whatever he was at any given time), and then since we truly know very little about Jacquetta herself except for royal occasions where she was present, Gregory fills in the rest with lots of gorgeous babies. I can't remember my phone number sometimes so I wouldn't dare attempt to find any historical accuracies, but I am sure that those readers who pursue inaccuracies within Gregory's fiction as a sort of sport will be able to point them out to you. This reader doesn't care, I love the genre of historical fiction because of the entertaining accounts of historical figures, and Philippa Gregory usually captures that need for me with flair (most of the time).
I have no idea what type of schedule the author keeps, but I think that her recent popularity may have zapped some of the story-telling skills that she once demonstrated in earlier novels. Gregory is one of the more well-known authors of historical fiction with a following of many critics and has a lot to live up to. I would personally wish for something a bit more in-depth and rounded out characters, while others wish for a bit more accuracy in the details. Jacquetta Woodville, Duchess of Bedford, mother to a Queen.. Gregory has the potential to turn her life into quite a story with creativity and that midas touch that once made Gregory so popular...
However.. the last half of the book did not quite match the expectations that were solicited in the first half as I wished for a lot more substance and a lot less of the repetitive silliness that she emphasized when utilizing various rumors of the time. I really wanted this to be a fabulous read that entertained and absorbed me, but this time Gregory comes up short. I think that newcomers to the Wars of the Roses era would enjoy this novel, much like once upon a time I was a rookie in regards to the Tudor era and Philippa Gregory wrote some intriguing introductions to the Tudors with The Other Boleyn Girl and The Boleyn Inheritance. Also recently released which I recommend as a brief summary on the main protagonists of Gregory's Cousins' War series is The Women of the Cousin's War (my review), which is a collaborative effort with authors David Baldwin and Michael Jones.